﻿WEBVTT

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&gt;&gt; Welcome to the 2019 DOI
Section 508 Outreach Event.

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My name is Sid Sharma,
I'm the DOI Section

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508 program manager,
and this event is hosted

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by the DOI Office of the
Chief Information Officer.

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So let's proceed to our
next presentation

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using Adobe in design to create
accessible PDF documents.

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Please join me in welcoming
Ms. Colleen Gratzer;

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she serves as
the accessibility specialist

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at Gratzer Graphics, LLC.

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Welcome, Colleen.
[APPLAUSE]

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&gt;&gt; Thank you
&gt;&gt; Yaay!

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&gt;&gt; Oh, over here.
It's right here.

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&gt;&gt; I got it. I got it, I'm good.
&gt;&gt; All right, thank you.

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So the first thing
I want to point out

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is that if you're already using
InDesign, and you're using

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InDesign best practices,
and not doing things manually

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and taking advantage
of the built-in

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InDesign features,

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then it's going to be
a very small learning curve

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for you
to incorporate accessibility.

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And if you're at a beginner
level with InDesign,

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and not incorporating
the best practices,

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it's going to be harder,

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because you're going to need
to do those,

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as well as incorporate
accessibility.

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A very important rule

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is that you never want
to format from the toolbar.

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So you always want to control
all formatting with a style;

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whether that's a Paragraph
style, a character style,

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Object style --
no overrides from the toolbar.

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So act like it's not
even there anymore.

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Some accessibility tasks
that you encounter,

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they might have more
than one approach.

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It's not always a black
and white approach.

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And others might require
some creative

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thinking in order
to accomplish them.

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Now the first thing
I'm going to start with

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is the Paragraph styles,

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because if you set your defaults
when you have no documents open,

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you're going to really reduce
the amount of work

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that's required
every time you go

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to create
a new accessible document.

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So I recommend, again,
with no documents open,

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so they become
your default styles,

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is to go and set
all of your Paragraph styles.

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They don't have look pretty,
they don't have to have

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the right colors
or fonts necessarily.

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But just set these up.
What I like to do is,

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have the basic paragraph just be
the Basic Paragraph style,

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but you could also use
a body text style,

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and then have an alternate
one called "P-First Paragraph,"

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and that is based on
your body text paragraph.

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Then that's just formatted
to perhaps not have an indent.

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However you want to do that,

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if you have a style that
deviates for that paragraph.

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Then your headings,
which I've named here,

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Heading 1,
Heading 2 and Heading 3.

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Then bullets, like you
might have bulleted lists,

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you might have numbered lists.

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I'm using the HTML tag
for those,

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which is "LI" for "List Item."
Then a block quote,

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then a note style
that you can use for Footnotes,

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and the Table of Contents styles
that you might need as well.

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So if you set these up,
they'll always be there

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when you create a new document.

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Now, the only difference is,
from what you've been doing,

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is that you'll probably
have to go in

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and just do this
one extra thing,

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and that is to go to the Export
tagging part of the Paragraph

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style options dialog box,

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and set the tag that you want
that style to export as.

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I'm going to get into
this more later,

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but so if your paragraph
is text,

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it's regular body text;
it gets formatted as a "P,"

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which stands
for the Paragraph tag.

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Your headings
would be over here;

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those headings would be H1,
H2, H3 through H6,

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okay, they all correspond.

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Then there will be some
we'll have to set as Automatic,

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so we'll get into
that more in a bit.

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So again, here these are --

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you set your basic paragraphs
at the P,

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you set your Heading levels
in the Export tagging.

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Set your bulleted list
and number lists to Automatic,

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set your block quote
to Automatic,

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and your Table of Contents
to Automatic.

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Again, that's back
in the Export tagging.

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That's going to define
how the text will be tagged

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when it's exported to the PDF.

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Some styles that are set
to Automatic

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might need to be manually
changed later in Acrobat.

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Now if you are familiar with
the Based On feature,

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this will save you
a ton of time.

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This will make things
very efficient.

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In order to use the Based
On feature,

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let's say you're going to
duplicate the Basic Paragraph,

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so you would duplicate
the Basic Paragraph,

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you would then rename that
to whatever style you would like

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to make from that,
so in this example,

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I've called it "P"
for "Paragraph," "Drop Cap."

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So I've got "P" for Drop Cap.
That's the new style name.

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Then you can just go
into that style

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and style it
with the Drop Cap features;

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you can make any other
formatting changes to that.

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So that's how you would do that.
So Based On means anytime

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that you change the style
that it's based on,

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in this case
the Basic Paragraph style,

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it's going to change
any other style with it

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that is based on that style,

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unless you've already gone in
and made changes.

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So you can do this
with your headings,

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you can do this with list items,

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you can do this
with any of your styles.

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Now with the character styles,

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just like with
the Paragraph styles,

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it's really helpful to go ahead

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and set these up with
no documents open

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so that they become
your default character styles.

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It's essential
that you have a style --

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I call it "No Break,"

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because really,
that's all it is --

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so a style called "No Break,"
you literally just make a style

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and come in here
and check this box here.

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That's your No Break style.

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If you don't want something
to go to the next line,

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you have to use your No
Break style, you can't go

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and insert
a soft return, or anything.

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So that's what
that'll be used for.

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Any tracking, creating
and tracking,

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you want to have
a style for that.

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So you need to set up styles,
I've got them as "Tracking -5,"

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"Track -10," "Track -15."

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You don't want to go up
to the toolbar

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and do any of that manual
formatting.

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Also, an italics style,
bold style, bold italics,

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subscript, superscript, and then
a hyperlink and reference style.

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Then your document might require
more styles than this,

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but these are a good default
set to have.

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Now if you use a lot of tables,
then you can go ahead

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and you can create
your default cell

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and table styles as well --
again with no documents open --

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and then you can set
the Paragraph styles

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that will be
associated with them.

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The Object styles
you could do this as well,

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so you could have default styles

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that are
for a two-column text box,

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a three-column text box,
a side bar,

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and then any rules
or borders or lines,

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and then running heads and feet,

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and then an artifact style,
which I will get into.

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So Artifacting might be
a new term for you.

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And artifacts are elements
that are ignored by screen

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reading devices and
other assistive technologies.

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They are elements
that don't convey

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any important information,
so they need to be artifacted.

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So you want to apply artifacting
to Paragraph styles

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for any text elements
that should be artifacted,

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and those would include
page numbers

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and running headers and footers.
Now to artifact,

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all you have to do
is go into the Export tagging

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for those actual
Paragraph styles,

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and then you set the Export
tagging to artifact.

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And that means it's going to be
ignored by the screen reader.

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Now with Objects,

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you might have objects
that need to be artifacted,

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and those are going to include
decorative blocks of colors,

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decorative elements
such as rules,

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and decorative
background graphics.

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So those are all non-essential
decorative elements.

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And in order to apply

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artifacting
to the Object styles,

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you simply go
into the Object style,

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go down to Export options,

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Tagged PDF, and then apply
the artifact tag there. Okay?

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So it's a little bit
different from the Text;

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you can do the Text one
on the style,

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Object you can do it
in the Object style.

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You can also artifact
an element

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by right-clicking
if you're on a Mac,

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if you're using PC
you can control-click,

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and select
Object Export options,

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and then select Tagged PDF,
and then artifact.

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Now there's a huge rule
with accessibility,

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and that, you probably
have heard,

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is that you cannot convey
information by color alone.

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So in these two examples here,
you know,

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if somebody has low vision,
they might not be able

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to distinguish this blue
from this black.

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These have the same treatment,
same formatting colors,

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so even a sighted person

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can't see the difference
between those two

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Heading levels,
they're the same.

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So over here, here's an example
of how we would fix this.

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This is bigger than this

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Heading, and then here, we've
got a dashed underline here.

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So you want to make it obvious,

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so you can do that
with not only the Export tags,

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but you could do that
with the difference in size,

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difference in font weights,
different font altogether,

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and the styling of it.

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Then you need to check
the contrast

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with a Color Contrast Checker.

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I like WebAIM, but there's
tons of them out there.

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And you get
your hexadecimal code,

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your six-digit color code,

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and you just come in here
and type it in,

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and then put whatever the
background color is going to be.

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So if there is
no background color,

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you just have it as white.

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But anything that's going
to have a background.

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So you could have colored text
on a colored background.

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You have to check anytime
that you have any interaction

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with color in the foreground
and background.

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So WCAG,

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which is Website Content
Accessibility Guidelines,

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Level two-A requires
a contrast ratio of

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at least four and a half
to one for normal text,

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and three to one
for a large text.

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Then Level triple-A,
which is stricter,

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is seven to one for normal text,

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and four and a half
to one for a large text.

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And they define large text
as 14 points and bold,

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or larger,
or 18 points or larger.

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So it's going to tell you
if you pass or fail,

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depending on whether or not
you need to go by WCAG

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double-A or triple-A here;
so this might say "fail,"

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the triple-A's might say "fail"
and these two might say "pass."

00:12:28.210 --> 00:12:30.140
Now when you create
a new document,

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you can do this
in several ways,

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so you can create it and check
off the primary Text Frame,

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which will automatically
create threaded stories.

00:12:39.920 --> 00:12:44.580
Then you can also create
one frame per column of text,

00:12:44.580 --> 00:12:48.460
use a single frame per page,
with multiple columns,

00:12:48.460 --> 00:12:51.020
or you can
thread frames together.

00:12:52.340 --> 00:12:54.630
Then you can fill out
any of your settings here

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like you normally do.

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Now on the Master Pages,

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you want to add
your Text Frames,

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but the Text Frames should reach
to the pink and purple guide.

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So you don't want to have --

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and here's
your outer margin here,

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you don't want to have your
Text Frame only going to here.

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If that's where you intend to
have the edge of the Text Frame,

00:13:17.660 --> 00:13:19.340
you want to adjust the margin

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to where you want
that Text Frame to be.

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So this needs to --
they need to match

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where they're
going to align there.

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You want to avoid
overriding master page items.

00:13:33.350 --> 00:13:36.840
You can create new nested
Master Pages instead;

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it's very similar in concept,
in theory,

00:13:40.150 --> 00:13:42.250
it's very similar
to your Based On

00:13:42.250 --> 00:13:46.290
with text styles, because
you're creating a new master,

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and it's based
on another one.

00:13:47.870 --> 00:13:51.320
So in order to do that,
you duplicate the master page,

00:13:51.320 --> 00:13:55.040
and then drag and drop
one master over the other.

00:13:55.040 --> 00:13:59.020
So here's a new master B,
and then you drag A over B.

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And then you go to B,
and you Select All,

00:14:05.330 --> 00:14:06.970
and you delete everything
that's on that,

00:14:06.970 --> 00:14:10.040
because you've just applied
everything from A.

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So if you then
change anything on A,

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like let's say you have
running footers here

00:14:15.090 --> 00:14:17.420
with page numbers,
and you've applied

00:14:17.420 --> 00:14:19.900
A to B, well now
B has those same page numbers.

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If you go change
where they are on

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A, it's going to have
that same effect on B,

00:14:27.720 --> 00:14:30.240
because you've based B on A.

00:14:32.530 --> 00:14:35.470
You want to artifact
any running headers and footers,

00:14:35.470 --> 00:14:36.880
either in the Paragraph style,

00:14:36.880 --> 00:14:39.070
or on the Text Frame
with the Object style,

00:14:39.960 --> 00:14:43.010
and then rules and design
elements get artifacted as well.

00:14:51.850 --> 00:14:55.020
So when it comes to choosing
typefaces, you want to choose

00:14:55.020 --> 00:14:59.670
OpenType fonts that
use Unicode characters,

00:15:00.690 --> 00:15:04.140
for such symbols as
a copyright symbol or fractions,

00:15:04.140 --> 00:15:05.680
otherwise you could end up
in a situation

00:15:05.680 --> 00:15:07.230
where you've got
10 different fonts

00:15:07.230 --> 00:15:09.630
because you're trying to find
the proper symbol.

00:15:12.090 --> 00:15:18.590
When you go to Import your text,
if you do the style mapping,

00:15:20.190 --> 00:15:22.420
you could do
the custom style mapping;

00:15:22.420 --> 00:15:25.720
here is your Microsoft Word
document style called "Normal,"

00:15:25.720 --> 00:15:27.620
map it
to Basic Paragraph --

00:15:27.620 --> 00:15:30.560
there is a Microsoft style
called "Heading,"

00:15:30.560 --> 00:15:32.730
You can map it to your H2,
or something.

00:15:36.120 --> 00:15:38.560
That's going to prevent
Word code

00:15:38.560 --> 00:15:40.270
from getting into the layout,

00:15:40.270 --> 00:15:42.420
and that causes
a lot of problems.

00:15:42.980 --> 00:15:44.930
So you want to do that,

00:15:44.930 --> 00:15:47.520
as opposed to copying
and pasting from Word,

00:15:47.520 --> 00:15:50.260
because that's going to bring a
whole bunch of garbage with it.

00:15:50.260 --> 00:15:52.130
So you can also,
when you're importing the text,

00:15:52.130 --> 00:15:55.940
remove the styles and formatting
as well -- you have that option.

00:15:57.990 --> 00:16:02.180
So when it comes to threading,
this was a habit

00:16:02.180 --> 00:16:03.840
I had to get into
when I learned how to do this,

00:16:03.840 --> 00:16:05.960
because I wasn't threading
any of my frames.

00:16:05.960 --> 00:16:08.860
So it's very important
to thread frames.

00:16:08.860 --> 00:16:11.410
So you can thread
all of your Text Frames,

00:16:12.030 --> 00:16:14.440
or you can just thread
certain sections.

00:16:15.650 --> 00:16:18.100
So in this particular example,

00:16:18.890 --> 00:16:21.610
here is a cover
of an Annual Report,

00:16:21.610 --> 00:16:25.480
and it is not threaded
to anything else,

00:16:25.480 --> 00:16:27.080
those are just by themselves.

00:16:27.630 --> 00:16:31.570
This is the Table of Contents,
that's only threaded to itself;

00:16:31.570 --> 00:16:34.350
it's not threaded to any other
piece of the document.

00:16:34.350 --> 00:16:36.910
You want to leave the Table
of Contents unthreaded.

00:16:38.920 --> 00:16:40.190
Then in this situation,

00:16:40.190 --> 00:16:42.080
this would start
a new thread here,

00:16:43.000 --> 00:16:44.380
so you can have pieces,

00:16:44.380 --> 00:16:46.530
the different
sections, different chapters,

00:16:47.520 --> 00:16:49.120
each be threaded individually.

00:16:52.290 --> 00:16:55.550
Once you've imported your text,
you want to do a lot of cleanup,

00:16:55.550 --> 00:16:59.450
so you want to remove multiple
spaces and paragraph marks.

00:16:59.450 --> 00:17:01.740
You want to remove
any forced breaks;

00:17:01.740 --> 00:17:04.270
remember I said
don't use a forced return.

00:17:05.200 --> 00:17:09.080
So you can use your No
Break character style.

00:17:09.600 --> 00:17:13.380
Let's say you have
something like a sentence,

00:17:13.380 --> 00:17:15.740
and at the end of the line
you have a measurement.

00:17:15.740 --> 00:17:17.370
Let's say it says "5 lbs,"

00:17:17.370 --> 00:17:20.280
and you just don't want "lbs"
down at the next line.

00:17:20.280 --> 00:17:22.630
You could use the No
Break character style

00:17:22.630 --> 00:17:27.420
and apply that for the words
"5 lbs,"

00:17:27.420 --> 00:17:29.740
and that's going to keep
that together always.

00:17:30.870 --> 00:17:32.810
It's not going to cause
any accessibility issues,

00:17:32.810 --> 00:17:34.820
and it's not going to cause
that forced line break,

00:17:34.820 --> 00:17:36.770
which would cause
accessibility issues.

00:17:38.020 --> 00:17:39.300
You'll want to remove tabs,

00:17:39.300 --> 00:17:41.960
unless you're going to end up
taking tabbed content

00:17:41.960 --> 00:17:43.660
and then creating
a table from it.

00:17:44.620 --> 00:17:47.390
Then you'll need to rekey
anything that's in all caps

00:17:47.390 --> 00:17:48.600
unless it's an acronym,

00:17:48.600 --> 00:17:52.440
because anything
that is all caps

00:17:52.440 --> 00:17:55.780
and typed that way
is going to be read that way,

00:17:55.780 --> 00:18:00.510
and that means letter by letter.
So if you need to style

00:18:00.510 --> 00:18:03.870
an acronym,
like USA -- that's fine.

00:18:03.870 --> 00:18:07.660
That can be keyed in as "USA,"
and it should be.

00:18:07.660 --> 00:18:10.259
But if you have all caps text,
let's say it's, like,

00:18:11.100 --> 00:18:13.330
a brand name,
and that's how they write it,

00:18:13.330 --> 00:18:15.400
but it's pronounced
like a normal word --

00:18:16.560 --> 00:18:21.670
then you would have to rekey
that in regular case

00:18:22.220 --> 00:18:24.030
and apply an All Caps style.

00:18:24.030 --> 00:18:25.640
So it's okay to style
it that way.

00:18:25.640 --> 00:18:28.490
It'll still look the same
to everybody else, right,

00:18:28.490 --> 00:18:30.540
but it's going to be treated
differently

00:18:31.530 --> 00:18:33.680
when it's read out
by assistive technology.

00:18:35.350 --> 00:18:37.900
Now if there are -- well,
I see this a lot with clients,

00:18:37.900 --> 00:18:40.000
I'm sure you'll encounter
this too --

00:18:40.000 --> 00:18:42.550
hyphens that should be en
and em dashes --

00:18:42.550 --> 00:18:44.560
so there should be
the proper dashes;

00:18:45.530 --> 00:18:47.590
en dashes for
a range of numbers,

00:18:47.590 --> 00:18:48.850
you know, 1 to 10.

00:18:48.850 --> 00:18:51.720
You could also alternatively
just write out "one,"

00:18:51.720 --> 00:18:54.110
and the word "to," "ten,"
"one to ten."

00:18:56.190 --> 00:18:58.560
Em dashes would be
a mid-sentence break.

00:19:00.360 --> 00:19:02.860
Usually a lot of clients
will use double hyphens

00:19:04.230 --> 00:19:06.660
to intend an em dash,

00:19:06.660 --> 00:19:09.800
so you would change the
double hyphens to an em dash.

00:19:11.630 --> 00:19:14.630
And you want to check
that any special symbols,

00:19:14.630 --> 00:19:18.840
any measurement symbols,
copyrights or fractions,

00:19:18.840 --> 00:19:22.390
all of those, conveyed when
they got imported into InDesign.

00:19:23.400 --> 00:19:25.860
Then in tables,
you want to remove blank rows

00:19:25.860 --> 00:19:29.380
and columns
and merge cells where needed.

00:19:30.180 --> 00:19:32.330
One thing
you can do with things --

00:19:32.330 --> 00:19:34.750
if you have blank cells
that need to be blank cells,

00:19:34.750 --> 00:19:36.580
you can just put a dash in there

00:19:37.520 --> 00:19:40.910
to signify that it is
intentionally empty.

00:19:42.360 --> 00:19:47.270
So like I said in the beginning,
control everything with a style.

00:19:47.270 --> 00:19:48.960
Don't format from the toolbar,

00:19:48.960 --> 00:19:50.600
and don't do it
from the keyboard, either.

00:19:50.600 --> 00:19:53.040
So don't do any manual
formatting.

00:19:53.040 --> 00:19:54.640
Format everything with a style.

00:20:02.920 --> 00:20:05.550
So like I mentioned earlier,
you want to create new Paragraph

00:20:05.550 --> 00:20:08.510
or character styles
that are based on other styles,

00:20:08.510 --> 00:20:10.210
if you need
to make an adjustment,

00:20:10.740 --> 00:20:12.050
including tracking,

00:20:12.050 --> 00:20:14.030
so that you don't have
any overrides anywhere.

00:20:14.030 --> 00:20:16.680
You should never have
any overrides anywhere.

00:20:16.680 --> 00:20:19.890
So let's say we have Heading 3,

00:20:21.080 --> 00:20:24.020
and let's say it starts
at the bottom of the page,

00:20:24.020 --> 00:20:25.640
and we really want it
to go to the next page.

00:20:25.640 --> 00:20:27.610
Well, we don't want to insert
a Page Break,

00:20:27.610 --> 00:20:29.240
we don't want to insert
multiple returns.

00:20:29.240 --> 00:20:32.290
So the solution is to create
a new style called

00:20:32.290 --> 00:20:35.000
"H3 Next Page,"
because trust me,

00:20:35.000 --> 00:20:37.330
you could end up
with a whole bunch of these;

00:20:37.330 --> 00:20:38.970
you want to know
what you did with them.

00:20:38.970 --> 00:20:41.120
So "H3 Next Page,"

00:20:41.820 --> 00:20:45.500
and all you're going to do
is go into that style,

00:20:45.500 --> 00:20:49.010
and tell it to start
on a new page.

00:20:49.010 --> 00:20:51.060
It could be a new column,
it could be a new Text Frame --

00:20:51.060 --> 00:20:52.580
whatever you need it to do.

00:20:52.580 --> 00:20:55.240
And call it that
so you can go back

00:20:55.240 --> 00:20:56.610
and tell what you did later.

00:20:56.610 --> 00:20:57.930
But that's what
you'd want to do,

00:20:57.930 --> 00:21:00.779
as opposed to inserting line
breaks, or multiple returns.

00:21:03.230 --> 00:21:04.550
You will find yourself
doing this

00:21:04.550 --> 00:21:05.940
with quite a few styles;

00:21:05.940 --> 00:21:07.940
I mean you could have,
like up here,

00:21:07.940 --> 00:21:10.990
I have an example with P-Indent,
so Paragraph Indent.

00:21:13.050 --> 00:21:17.220
If you needed an entire
paragraph to be tracked -10,

00:21:19.480 --> 00:21:22.079
you could create a whole
new style for that as well.

00:21:24.310 --> 00:21:26.070
And this is the override button
up here,

00:21:26.070 --> 00:21:27.940
so while you're doing
the layout,

00:21:27.940 --> 00:21:29.540
you want to have that checked,

00:21:30.090 --> 00:21:32.210
and make sure you're not
in Preview mode.

00:21:33.560 --> 00:21:34.890
Then you'll be able to see,

00:21:34.890 --> 00:21:36.170
and it will be
highlighted for you,

00:21:36.170 --> 00:21:38.720
any style overrides
throughout the document.

00:21:38.720 --> 00:21:40.870
And those are the ones
you need to address.

00:21:43.700 --> 00:21:48.290
So you want to set the Export
tag of the Paragraph style

00:21:48.290 --> 00:21:51.900
of the document title as H1;

00:21:52.740 --> 00:21:55.140
so Heading 1
is the highest-level Heading,

00:21:55.140 --> 00:21:56.740
Heading 6 is the lowest.

00:21:57.520 --> 00:22:01.200
Then you want to style
your chapter or section titles

00:22:01.200 --> 00:22:05.980
as H1's, or H2.
So H1 can be a document title,

00:22:05.980 --> 00:22:08.570
it could also be the title
of a new section,

00:22:08.570 --> 00:22:11.990
or an H2 could be a title
of a new section as well.

00:22:11.990 --> 00:22:13.320
And you always want to make sure

00:22:13.320 --> 00:22:15.770
that you use them
in the correct sequence,

00:22:16.300 --> 00:22:18.960
you don't want to skip any,
and you don't want --

00:22:18.960 --> 00:22:21.210
so you don't want to go
from an H2 to an H4.

00:22:21.210 --> 00:22:26.340
So here we have H1, H2,
and we go to an H3, H3,

00:22:26.340 --> 00:22:27.890
come out to an H2 --

00:22:27.890 --> 00:22:29.810
you don't want to skip
from an H2 to an H4

00:22:29.810 --> 00:22:31.960
because you just like
the way H4 looks.

00:22:32.550 --> 00:22:36.090
You want to make a new H3,
in that case.

00:22:39.960 --> 00:22:42.870
You also can take advantage
of the Paragraph style options,

00:22:42.870 --> 00:22:48.220
like Spanning Columns, Paragraph
Shading, and Paragraph Rule --

00:22:49.540 --> 00:22:54.800
those can be very efficient.
Now when it comes to graphics,

00:22:54.800 --> 00:22:57.250
you want to anchor your images
in the text

00:22:57.920 --> 00:23:00.670
at the end of the paragraph
in which they're mentioned.

00:23:01.490 --> 00:23:03.440
This was hard for me
to have to change.

00:23:04.410 --> 00:23:07.050
So then you can apply
your Object styles.

00:23:07.050 --> 00:23:10.700
So here is where this image
is anchored; so you anchor it,

00:23:10.700 --> 00:23:12.370
and then you can move it

00:23:12.370 --> 00:23:15.510
to wherever you'd like it
to be on the page,

00:23:15.510 --> 00:23:18.110
and you could apply
an Object style to that.

00:23:20.430 --> 00:23:23.950
If you have some text there
that's referencing,

00:23:25.610 --> 00:23:26.980
like in this particular case,

00:23:26.980 --> 00:23:30.390
it could say
the photo at right --

00:23:31.780 --> 00:23:33.690
you want to change that

00:23:33.690 --> 00:23:35.370
and give it
an absolute reference

00:23:35.370 --> 00:23:36.600
instead of a relative reference;

00:23:36.600 --> 00:23:42.000
so you could say "Figure 1,"
or give it another title.

00:23:46.320 --> 00:23:51.270
Alt-Text is important, because
images and images of text

00:23:51.270 --> 00:23:52.930
cannot be read
by screen readers.

00:23:54.240 --> 00:23:59.190
So Alt-Text is in place
of these images.

00:23:59.750 --> 00:24:02.560
What you want to do is --

00:24:02.560 --> 00:24:05.990
so if you don't have
artifacted images,

00:24:06.580 --> 00:24:08.030
you need to add the Alt-Text.

00:24:08.030 --> 00:24:13.050
So you're going to right-click
or control-click

00:24:13.050 --> 00:24:14.340
in front of the PC,

00:24:14.340 --> 00:24:16.890
and then Select Object,
Export options,

00:24:17.610 --> 00:24:20.390
and then you select Custom here.
And when you do that,

00:24:20.390 --> 00:24:22.240
you can add
your Alt-Text right here.

00:24:26.830 --> 00:24:29.480
It should say
what the image contains,

00:24:29.480 --> 00:24:34.480
like what it's a picture of,
and any key visual elements.

00:24:34.480 --> 00:24:39.650
So you might have an infographic
or a bar graph,

00:24:39.650 --> 00:24:40.970
pie chart or something,

00:24:40.970 --> 00:24:44.960
and you can explain
what is in it, what the data is.

00:24:44.960 --> 00:24:46.759
Or it might be
a photo of something.

00:24:48.370 --> 00:24:50.350
You don't need to give
more information

00:24:50.350 --> 00:24:52.450
than a sighted reader
would get, though.

00:24:53.950 --> 00:24:56.970
And you don't want to repeat the
same info that's in the caption,

00:24:56.970 --> 00:24:58.710
because that means
somebody's going to hear

00:24:58.710 --> 00:25:00.930
that information twice,
and that's annoying.

00:25:03.140 --> 00:25:07.010
Now for the infographics,
explain what they represent,

00:25:07.010 --> 00:25:08.900
and provide the data,
if it's short.

00:25:09.540 --> 00:25:13.350
If it's not short -- I mean,
I've worked with infographics

00:25:13.350 --> 00:25:15.250
and pie charts
that have so much data

00:25:15.250 --> 00:25:19.040
they can't possibly be explained
in the Alt-Text.

00:25:19.040 --> 00:25:22.860
So what you can do is,
you can link to an online source

00:25:23.510 --> 00:25:27.480
that might appear;
like you might have something

00:25:27.480 --> 00:25:29.220
in the document
that's like an appendix,

00:25:29.220 --> 00:25:30.730
or you might have
an online source,

00:25:30.730 --> 00:25:32.990
like a website
that's showing that data.

00:25:32.990 --> 00:25:36.550
And that has it
explained out on there.

00:25:36.550 --> 00:25:38.150
So you could provide that.

00:25:39.360 --> 00:25:41.450
You would want to provide
the link in the text,

00:25:41.450 --> 00:25:43.470
though, not in the Alt-Text.

00:25:46.220 --> 00:25:49.150
Now when it comes to graphs,
charts and maps,

00:25:50.400 --> 00:25:51.600
these can be tricky.

00:25:51.600 --> 00:25:53.580
They can require
a lot more attention

00:25:53.580 --> 00:25:57.080
to ensure not only
sufficient color contrast

00:25:57.080 --> 00:26:01.920
between text colors and their
background colors on the map,

00:26:02.530 --> 00:26:08.220
but also to distinguish
between each other.

00:26:08.220 --> 00:26:11.580
So in the pie chart,
for example, or a bar graph,

00:26:13.290 --> 00:26:16.940
you can check the contrast with
a Color Blindness Simulator.

00:26:16.940 --> 00:26:18.540
I like the Coblis one.

00:26:19.300 --> 00:26:21.460
What it does is,
you upload a picture,

00:26:21.460 --> 00:26:24.790
and then you can see it
as normal,

00:26:24.790 --> 00:26:28.770
and then it shows as different
levels of color blindness,

00:26:28.770 --> 00:26:31.070
so you can see
if some of your colors

00:26:31.070 --> 00:26:32.640
are going to be
too close together

00:26:32.640 --> 00:26:36.530
and not enough contrast
in certain situations.

00:26:44.270 --> 00:26:47.110
Since you cannot convey
information by color alone,

00:26:47.690 --> 00:26:50.590
if the contrast
is not sufficient to distinguish

00:26:50.590 --> 00:26:53.160
the various elements by color,
you must use other means.

00:26:53.160 --> 00:26:57.820
So you can use lines
with shapes in a line graph.

00:26:57.820 --> 00:27:00.800
So up here, these lines
might not have enough contrast

00:27:00.800 --> 00:27:02.930
between them,
so what you could do,

00:27:02.930 --> 00:27:06.590
maybe the light blue lines
have triangles at each point,

00:27:06.590 --> 00:27:11.490
and maybe the darker blue line
has squares at each point.

00:27:13.590 --> 00:27:15.280
Then the third one has diamonds.

00:27:17.420 --> 00:27:20.620
You could also use
different patterns,

00:27:20.620 --> 00:27:22.590
if it's a like a pie chart
or a bar graph here,

00:27:22.590 --> 00:27:24.740
you could have different
patterns to distinguish,

00:27:24.740 --> 00:27:27.520
because this is not
necessarily distinguishable.

00:27:29.500 --> 00:27:33.750
And with maps, any text
that appears on top of the map,

00:27:33.750 --> 00:27:36.580
you'd want to make sure that's
in a contrasty-enough color,

00:27:36.580 --> 00:27:39.490
or it's bold, and you can add
a drop shadow to that text

00:27:39.490 --> 00:27:43.020
in order to make it stand out
from the background on the map.

00:27:45.750 --> 00:27:48.610
Now with tables, you want to
anchor the table in the text.

00:27:48.610 --> 00:27:52.060
So in this example,
this table is in its own box,

00:27:52.060 --> 00:27:55.910
because it's a one-column table
on a two-column page,

00:27:56.610 --> 00:27:59.210
and so this Text Frame

00:27:59.210 --> 00:28:01.370
containing the table
is anchored over here.

00:28:03.630 --> 00:28:07.880
Then you placed the table's
title outside of the table,

00:28:08.900 --> 00:28:12.170
and you can go ahead and style
your table headers in here,

00:28:13.020 --> 00:28:16.700
and style table cells
with your paragraph cells,

00:28:16.700 --> 00:28:20.290
and have the export
tagging set to Automatic.

00:28:20.960 --> 00:28:23.800
So then you'd need to make sure
that that's an actual

00:28:23.800 --> 00:28:25.500
Header row --
so if you right-click it

00:28:25.500 --> 00:28:27.490
and it says,
"Convert to Header row,"

00:28:27.490 --> 00:28:28.840
that means it's not
a Header row yet.

00:28:28.840 --> 00:28:30.230
You have to make that
a Header row,

00:28:30.230 --> 00:28:31.980
it needs to be a proper
Header row.

00:28:35.620 --> 00:28:38.469
And then again, you want to
remove blank rows or columns,

00:28:39.950 --> 00:28:43.560
and then you can put
any Footnotes after the table.

00:28:44.780 --> 00:28:47.670
So in Creative Cloud 2019,
it'll place the Footnotes

00:28:47.670 --> 00:28:50.830
at the bottom of the frame
that holds the table,

00:28:51.460 --> 00:28:52.850
which should be
in its own frame,

00:28:52.850 --> 00:28:55.000
so it will place them
down here under that.

00:28:56.120 --> 00:29:00.270
You don't want to span
your tables across two pages,

00:29:00.270 --> 00:29:02.770
unless you're using
a Text Frame with columns.

00:29:02.770 --> 00:29:06.300
So if you have a two-page
spread, you could have --

00:29:08.850 --> 00:29:12.300
well, if you had
a two-page spread,

00:29:12.300 --> 00:29:13.550
you could have one Text Frame,

00:29:13.550 --> 00:29:15.590
but it would have to be in
two columns across the spread.

00:29:15.590 --> 00:29:19.490
You can't just have
a one-column table across that.

00:29:19.490 --> 00:29:22.140
It won't read properly
when it's exported in the PDF.

00:29:23.330 --> 00:29:26.270
And it's okay to place the table
in its own frame anchored

00:29:26.270 --> 00:29:30.070
in the text,
which is what I'm showing here.

00:29:32.100 --> 00:29:35.380
And it is okay to use the View
&gt; Rotate

00:29:35.380 --> 00:29:37.490
Spread feature
to accommodate wide tables.

00:29:37.490 --> 00:29:39.470
I've run into this situation
quite a bit where I need

00:29:39.470 --> 00:29:44.400
to have just the pages
with these tables horizontal,

00:29:45.470 --> 00:29:47.880
just so
I can accommodate more columns.

00:29:47.880 --> 00:29:49.550
So that's okay to do that.

00:29:52.960 --> 00:29:56.690
Sidebars -- when you create
Sidebars, and you can create

00:29:56.690 --> 00:29:59.540
Object styles for Sidebars --
you create them

00:29:59.540 --> 00:30:02.230
and do the same thing,
anchoring them in the text

00:30:02.230 --> 00:30:04.540
at the end of the paragraph
in which they're mentioned.

00:30:04.540 --> 00:30:07.200
So here is where
the Sidebar appears,

00:30:07.200 --> 00:30:09.870
but it's anchored up there
in that paragraph.

00:30:11.400 --> 00:30:15.710
And you'd want to style
your Sidebar titles as an H2,

00:30:15.710 --> 00:30:16.980
or another level of

00:30:16.980 --> 00:30:20.780
Heading, that's based on
the logical order

00:30:21.430 --> 00:30:24.250
in which it falls
in the section.

00:30:24.250 --> 00:30:29.530
So if this isn't a section,
like I said, you could use an H1

00:30:29.530 --> 00:30:35.330
or an H2 for your chapter title.
So if you have an H3 later,

00:30:36.220 --> 00:30:40.350
another level of subheading,
and it's in that section,

00:30:40.350 --> 00:30:42.620
then this would be an H4 level
Heading.

00:30:42.620 --> 00:30:44.290
So you want to make sure
your hierarchy

00:30:44.290 --> 00:30:48.580
is always there --
H1, H2, H3, H4 through 6.

00:30:51.380 --> 00:30:52.720
Okay, and then you can use

00:30:52.720 --> 00:30:55.750
Apply Next Style under --
this is really cool, by the way,

00:30:55.750 --> 00:30:57.690
if you try this out,
it's really cool.

00:30:57.690 --> 00:31:01.240
You can use the Apply Next Style
under an Object's Paragraph

00:31:01.240 --> 00:31:04.650
style to style multiple
paragraphs at a time

00:31:04.650 --> 00:31:06.490
when the next style
has been set.

00:31:06.490 --> 00:31:09.540
So if we have a style called
"H2 Sidebar,"

00:31:09.540 --> 00:31:10.950
and we say -- okay, here's our

00:31:10.950 --> 00:31:13.160
Based On,
but if we say Next Style,

00:31:13.160 --> 00:31:16.180
use "P Sidebar,"
you know, Paragraph Sidebar.

00:31:17.030 --> 00:31:19.420
Then when you go to create
the Object style

00:31:19.420 --> 00:31:21.530
and you tell it, okay,
I want this style to be

00:31:21.530 --> 00:31:23.430
"H2 Sidebar,"

00:31:23.430 --> 00:31:25.630
and I want you to apply
the next style --

00:31:25.630 --> 00:31:30.100
when you go to apply
the Object style to the Sidebar,

00:31:32.200 --> 00:31:35.320
it's going to
format this and this,

00:31:35.880 --> 00:31:38.130
because it knows to apply
this style --

00:31:38.130 --> 00:31:40.480
and by the way, it knows
to apply that style, too,

00:31:40.480 --> 00:31:43.130
because
it's set up here and here.

00:31:46.220 --> 00:31:47.940
You could actually end up
with a Sidebar

00:31:47.940 --> 00:31:50.440
that only is one paragraph long,

00:31:50.440 --> 00:31:54.160
and you wouldn't even need
to have an Object

00:31:54.160 --> 00:31:55.680
having its own frame
with an Object style --

00:31:55.680 --> 00:31:59.030
that could actually be something
that you use just by using

00:31:59.030 --> 00:32:01.400
the Paragraph Shading
in the Paragraph style.

00:32:04.900 --> 00:32:06.290
With Hyperlinks,
you want to make sure

00:32:06.290 --> 00:32:08.310
that all of your hyperlinks
are clickable,

00:32:08.310 --> 00:32:13.470
so that's going to be websites,
emails, any Footnotes.

00:32:13.470 --> 00:32:17.010
You have to link
all your Footnotes as well.

00:32:17.010 --> 00:32:20.160
So you can go to Hyperlinks
and Cross References,

00:32:21.080 --> 00:32:23.010
and then Convert URLs
to Hyperlinks.

00:32:24.830 --> 00:32:29.810
Then you can create
Hyperlink Destinations

00:32:30.460 --> 00:32:32.060
for your cross references.

00:32:32.930 --> 00:32:36.890
Then you go to where they are
in the text, highlight them,

00:32:36.890 --> 00:32:38.490
and add that link to them.

00:32:39.760 --> 00:32:42.580
Okay, so over here,
here's the Hyperlinks palette,

00:32:43.180 --> 00:32:48.530
here is the Footnote number.
That's showing an anchor,

00:32:48.530 --> 00:32:51.260
and it's linking
down here to this.

00:32:51.260 --> 00:32:54.300
It's actually linking to that.
So in the PDF,

00:32:54.300 --> 00:32:56.700
if I click on this,
it actually will go to that.

00:33:08.240 --> 00:33:09.890
Now with the Table of Contents,

00:33:12.180 --> 00:33:14.330
you always want to use
the Automated feature --

00:33:14.330 --> 00:33:16.240
no manual Table of Contents.

00:33:18.190 --> 00:33:21.430
So you want to set up
your Paragraph styles,

00:33:22.210 --> 00:33:25.410
and when you set up
those Paragraph styles, again,

00:33:25.410 --> 00:33:27.400
it's back to creating
Paragraph styles,

00:33:27.400 --> 00:33:31.320
set that Export tagging
of the Table of Contents title

00:33:31.320 --> 00:33:32.920
as an H2 --

00:33:34.100 --> 00:33:37.010
but the regular
Table of Contents text,

00:33:37.520 --> 00:33:39.240
so if you have the Heading
in your Table of Contents,

00:33:39.240 --> 00:33:40.490
it's okay that that's an H2.

00:33:40.490 --> 00:33:42.950
But your regular
Table of Contents

00:33:43.770 --> 00:33:50.140
text should be set to Automatic.
So you'll then use the InDesign

00:33:50.140 --> 00:33:54.490
features to create
that Table of Contents;

00:33:54.490 --> 00:33:57.640
it's going to make it clickable
in the PDF, which is fantastic,

00:33:58.360 --> 00:34:01.810
and it'll also --
if you check this,

00:34:01.810 --> 00:34:04.340
it will create
PDF Bookmarks as well.

00:34:04.340 --> 00:34:07.040
So that's really cool,
because that will add bookmarks

00:34:07.900 --> 00:34:10.670
for your cover, your chapters,
all of your sections,

00:34:10.670 --> 00:34:13.540
just simply
by checking that box.

00:34:13.540 --> 00:34:15.230
So when you get into the PDF,
it's going to have

00:34:15.230 --> 00:34:17.380
all your bookmarks there,
if you show them.

00:34:20.080 --> 00:34:24.790
And then in your title, if you
want to call that "Contents,"

00:34:24.790 --> 00:34:26.510
or if you want to call it,
"Table of Contents" --

00:34:26.510 --> 00:34:29.330
whatever you want to do --
do that in there,

00:34:30.420 --> 00:34:32.330
and then if you ever have
to redo your Table

00:34:32.330 --> 00:34:33.820
of Contents later,
that's already done.

00:34:33.820 --> 00:34:35.140
You don't have to go
change that again.

00:34:35.140 --> 00:34:38.239
So do as much of this in here,
do all that automation in here.

00:34:40.520 --> 00:34:44.040
Now Reading Order means
that all the text

00:34:44.040 --> 00:34:46.980
in the document needs
to have a logical reading order.

00:34:46.980 --> 00:34:50.850
So what you see in InDesign
is not necessarily the order

00:34:50.850 --> 00:34:53.560
that it's going to be
read in the PDF

00:34:53.560 --> 00:34:55.160
by an assistive device.

00:34:55.810 --> 00:34:58.670
Okay, so we might see
that's above that,

00:34:58.670 --> 00:35:01.320
so that's going to get
read first -- not necessarily.

00:35:02.510 --> 00:35:04.820
So there's a few different ways
to do this.

00:35:05.980 --> 00:35:11.710
In the Articles panel --
back to my example before this,

00:35:11.710 --> 00:35:14.360
Cover is by itself, this Table
of Contents is by itself.

00:35:14.360 --> 00:35:17.390
Then this is the start
of the rest of the document.

00:35:17.390 --> 00:35:21.890
So you actually go
to these different pieces,

00:35:21.890 --> 00:35:24.360
these different pieces
that you've threaded,

00:35:24.360 --> 00:35:27.600
and you drag them
into the article's panel.

00:35:28.140 --> 00:35:30.820
So in this situation,
I have literally dragged

00:35:30.820 --> 00:35:34.320
that Text Frame over here,
the 2018 to here,

00:35:34.320 --> 00:35:37.570
dragged that frame that says
"Annual Report" into here,

00:35:38.150 --> 00:35:41.120
and I called this, "Cover."
So that's the Cover section.

00:35:41.680 --> 00:35:45.270
Here's the TOC section,
just literally drag this one.

00:35:45.270 --> 00:35:46.780
You don't have to
drag both frames.

00:35:46.780 --> 00:35:49.940
If they're threaded,
you just drag one frame.

00:35:49.940 --> 00:35:51.560
It doesn't matter
if I drag this one,

00:35:51.560 --> 00:35:52.890
or if I drag this one.

00:35:52.890 --> 00:35:54.180
Drag it over,
and then you can see

00:35:54.180 --> 00:35:56.830
that's the Text Frame
that it's reading from.

00:35:56.830 --> 00:35:59.020
Then the main story,
which is the rest of it,

00:35:59.020 --> 00:36:00.620
just drag this first box here,

00:36:00.620 --> 00:36:02.919
because everything after that
is all threaded.

00:36:08.100 --> 00:36:10.990
Then when you go up
to this little menu here,

00:36:11.800 --> 00:36:13.050
it will give you the option

00:36:13.050 --> 00:36:15.790
for Use for Reading Order
in the Tagged PDF --

00:36:15.790 --> 00:36:18.070
you want to make sure
that is checked.

00:36:21.920 --> 00:36:25.720
The other way that you can
re-order items

00:36:25.720 --> 00:36:29.210
if you need to is --

00:36:29.210 --> 00:36:32.210
and this is a different way,
so you might need to do both --

00:36:33.840 --> 00:36:38.250
in the Layers panel, everything
is read from the bottom up.

00:36:38.810 --> 00:36:42.270
So if you're using
more than one layer,

00:36:43.780 --> 00:36:45.010
it'll be more obvious,

00:36:45.010 --> 00:36:46.340
but sometimes you have
to open these up,

00:36:46.340 --> 00:36:47.580
because if you're using
one layer

00:36:47.580 --> 00:36:49.530
with a lot of
different elements there,

00:36:50.440 --> 00:36:52.200
you might need to go in
and rearrange them.

00:36:52.200 --> 00:36:56.640
So for example, this Text Frame
is separate from this one,

00:36:56.640 --> 00:37:01.260
so 2018 -- like I said,
it appears above Annual Report,

00:37:01.260 --> 00:37:02.760
but that doesn't necessarily
mean

00:37:02.760 --> 00:37:05.550
it's going to get read
that way in the resulting PDF.

00:37:06.380 --> 00:37:10.720
So 2018
is going to get read first,

00:37:12.290 --> 00:37:14.030
because it appears below

00:37:15.180 --> 00:37:17.070
the Text Frame
that contains Annual Report.

00:37:17.070 --> 00:37:21.940
So again, Layers panel gets read
from the bottom up --

00:37:22.570 --> 00:37:27.190
so 2018 gets read
before Annual Report, okay?

00:37:27.190 --> 00:37:29.780
Even though this is up here
in the layout

00:37:29.780 --> 00:37:32.760
and this one's here,
this is what matters.

00:37:32.760 --> 00:37:35.570
If the 2018 were above this,

00:37:35.570 --> 00:37:37.380
it would actually be
in the wrong reading order.

00:37:37.380 --> 00:37:39.320
It would still look
the same here,

00:37:39.320 --> 00:37:43.500
but it wouldn't be read
properly in the PDF.

00:37:47.320 --> 00:37:51.110
So the Articles panel is read
from the top-down.

00:37:51.880 --> 00:37:53.860
It's going to read
the Cover first,

00:37:53.860 --> 00:37:56.270
which is this section,
with this and this;

00:37:56.270 --> 00:37:57.760
the 2018 and Annual Report.

00:37:57.760 --> 00:37:59.810
Then it's going to read
the Table of Contents section,

00:37:59.810 --> 00:38:01.060
which is this frame,

00:38:01.060 --> 00:38:03.260
and then it's going to read
the main story --

00:38:03.260 --> 00:38:04.980
which this is just
the beginning text,

00:38:04.980 --> 00:38:07.029
but that's the rest
of the document text.

00:38:07.590 --> 00:38:11.150
Then again, Layers panel is read
from the bottom to the top.

00:38:15.270 --> 00:38:18.730
A lot of times,
if you find some things

00:38:18.730 --> 00:38:20.180
you need to adjust in the PDF,

00:38:20.180 --> 00:38:22.570
you have to come back
and look at that Articles panel

00:38:22.570 --> 00:38:24.020
and that Layers panel,

00:38:24.020 --> 00:38:25.750
and see why
something's out of order,

00:38:25.750 --> 00:38:28.290
that's usually
where that stuff happens.

00:38:29.830 --> 00:38:34.140
Now your Metadata, you can add
this anytime in InDesign.

00:38:34.140 --> 00:38:36.870
It's best to do it in InDesign
before you get to the PDF,

00:38:36.870 --> 00:38:39.730
because if you have to
troubleshoot in Acrobat

00:38:39.730 --> 00:38:43.880
and come back and re-export
stuff from InDesign,

00:38:43.880 --> 00:38:45.960
you're going to have to redo
all that Metadata again.

00:38:45.960 --> 00:38:47.770
So if you just put it in
InDesign,

00:38:47.770 --> 00:38:52.810
it's going to be there.
So you'll fill out the title,

00:38:52.810 --> 00:38:56.010
the author,
description, and the keywords.

00:38:56.590 --> 00:38:59.290
The description field
will get read by search engines,

00:38:59.970 --> 00:39:03.560
so you want to make sure
the first 150 or 200

00:39:03.560 --> 00:39:05.160
or so words,

00:39:06.590 --> 00:39:08.889
that those first words
are the most important.

00:39:09.840 --> 00:39:11.810
You can also add in
as many keywords

00:39:11.810 --> 00:39:13.680
as you want
in the Keywords field;

00:39:13.680 --> 00:39:16.000
again, that's going to get read
by search engines.

00:39:16.000 --> 00:39:18.280
Then don't use an ampersand

00:39:18.280 --> 00:39:22.100
if the title
is using the spelled out word,

00:39:22.100 --> 00:39:26.550
"and,"
up in the Document Title field.

00:39:29.010 --> 00:39:30.780
And you can fill out
the other fields as well,

00:39:30.780 --> 00:39:33.780
but those are the ones that
you definitely want to fill out.

00:39:34.960 --> 00:39:37.810
When you're doing
your preflight,

00:39:37.810 --> 00:39:40.030
you want to preflight, make sure
all of your images are linked,

00:39:40.030 --> 00:39:45.240
you want to make sure that
your hyperlinks are all okay,

00:39:45.240 --> 00:39:46.630
because if they're not,

00:39:46.630 --> 00:39:48.860
these will show up as red,
they're broken links,

00:39:48.860 --> 00:39:51.060
and then you
would need to replace those

00:39:51.060 --> 00:39:53.160
with proper links that work.

00:39:53.160 --> 00:39:56.970
So you preflight as usual, like,
before printing.

00:39:57.600 --> 00:40:00.890
Then you want to turn on that
Style Override Highlighter --

00:40:00.890 --> 00:40:02.090
that's what
I mentioned earlier --

00:40:02.090 --> 00:40:04.180
and check
for any style overrides

00:40:04.730 --> 00:40:06.379
that are highlighted
in the text,

00:40:07.000 --> 00:40:11.180
and you want to address those
with a new style, if needed,

00:40:11.180 --> 00:40:15.200
or override their formatting
with that button.

00:40:18.600 --> 00:40:21.610
See, up there is
how it would look.

00:40:21.610 --> 00:40:24.160
If this was not following
a style,

00:40:24.160 --> 00:40:25.860
it would be
highlighted like that.

00:40:27.180 --> 00:40:30.540
Then you want to check your tags
by going to the Paragraph styles

00:40:30.540 --> 00:40:36.080
palette, clicking here,
and then Edit All Export Tags.

00:40:36.080 --> 00:40:38.300
Then you want to make sure
you click on PDF,

00:40:39.540 --> 00:40:41.410
and then check all of these.

00:40:41.410 --> 00:40:47.370
So Basic Paragraph, the HTML tag
associated with that is a P.

00:40:49.570 --> 00:40:52.000
I like to put all the tags
in the beginning,

00:40:52.000 --> 00:40:55.430
so it's very easy to come here
and check them.

00:40:55.430 --> 00:40:57.670
So that's a "P,"
that means it's a body

00:40:57.670 --> 00:41:00.880
text style of some sort --
so those are all P's.

00:41:01.410 --> 00:41:05.980
H1 gets an H1, H2 gets an H2,
H3 gets an H3, and so on.

00:41:06.960 --> 00:41:11.530
Bullets -- those are always
left as Automatic.

00:41:13.490 --> 00:41:16.870
This would be a situation
that needs to be changed

00:41:16.870 --> 00:41:21.380
to the P-tag, as with this one.

00:41:25.210 --> 00:41:28.200
So then you can go ahead
and export your PDF,

00:41:28.200 --> 00:41:30.350
and you can choose
the interactive setting.

00:41:30.940 --> 00:41:33.060
And you want to make sure
that you Export as Pages,

00:41:33.060 --> 00:41:34.310
not Spreads,

00:41:34.310 --> 00:41:36.359
because it will change
the reading order.

00:41:37.710 --> 00:41:38.980
Then the other think you can do

00:41:38.980 --> 00:41:41.390
is check off Single Page
for Layout,

00:41:42.520 --> 00:41:46.520
and then Create Tagged PDF,
and Use Structure for Tab Order.

00:41:47.240 --> 00:41:49.050
Then if you have any Forms
and Media --

00:41:49.050 --> 00:41:50.300
that would be buttons,

00:41:50.300 --> 00:41:53.950
like if you have buttons
or forms,

00:41:53.950 --> 00:41:56.600
you want to make sure
that you include those as well.

00:41:57.510 --> 00:42:01.570
What you can do is, you can go
and create this Export setting,

00:42:01.570 --> 00:42:03.690
and then save it as a preset,
so you always have it.

00:42:03.690 --> 00:42:05.490
You don't have to come in
and change it all the time.

00:42:05.490 --> 00:42:07.090
Just save it once.

00:42:08.750 --> 00:42:11.350
So for your compression
settings,

00:42:11.350 --> 00:42:18.020
you want to set your resolution,
so your downsampling resolution,

00:42:18.830 --> 00:42:22.200
you can set that to 144,
150, 200 or 300 --

00:42:22.200 --> 00:42:23.760
it depends on
the type of images.

00:42:23.760 --> 00:42:25.660
See what you get
when you Export it.

00:42:25.660 --> 00:42:29.910
But I have noticed that one time
I exported a PDF,

00:42:31.000 --> 00:42:33.820
I made some tweaks in Acrobat,
I got it all ready to go,

00:42:33.820 --> 00:42:35.190
and the client was, like,

00:42:35.190 --> 00:42:37.530
"I thought the resolution
was going to be higher."

00:42:37.530 --> 00:42:40.290
So in that case,
I would have had to go Export

00:42:40.290 --> 00:42:41.610
with a higher resolution,

00:42:41.610 --> 00:42:44.210
and go and redo everything
I had just done in Acrobat.

00:42:44.210 --> 00:42:49.420
So it's a good idea to get that
approved at that resolution

00:42:49.420 --> 00:42:53.120
that you're planning on using
before that happens,

00:42:53.770 --> 00:42:56.569
so you don't have to go back
and get all of that redone.

00:42:57.710 --> 00:43:03.420
You can also increase the image
quality setting if you want to.

00:43:04.360 --> 00:43:05.720
But the higher the resolution,

00:43:05.720 --> 00:43:07.510
the greater that file size
is going to be,

00:43:07.510 --> 00:43:09.510
so if this is something
that is going to be emailed,

00:43:09.510 --> 00:43:10.910
you have to take that
into consideration.

00:43:10.910 --> 00:43:14.180
You might have to give
a little bit of quality,

00:43:14.180 --> 00:43:16.000
so you have a reduced file size.

00:43:16.650 --> 00:43:18.150
Then if you're going
to also print this,

00:43:18.150 --> 00:43:20.760
you want to make sure
that you export a separate PDF

00:43:20.760 --> 00:43:24.930
for printing,
with the proper print settings.

00:43:24.930 --> 00:43:29.820
And the other thing I do
is change the hyperlink style

00:43:30.390 --> 00:43:32.470
to not show hyperlinks --

00:43:32.470 --> 00:43:34.769
underline the hyperlinks
in the print version.

00:43:41.480 --> 00:43:43.840
Okay, so then you go to Acrobat
with this PDF.

00:43:45.020 --> 00:43:47.960
Now if you did not check
the Use Structure for Tab Order,

00:43:49.720 --> 00:43:53.860
then you can go to Organize
Pages in Acrobat, Select

00:43:53.860 --> 00:43:57.910
All, and then
go to Page Properties

00:43:57.910 --> 00:43:59.500
and click on Use Document
Structure,

00:43:59.500 --> 00:44:01.570
so you don't have to go back
and redo the whole thing again,

00:44:01.570 --> 00:44:03.950
you could just fix
that right there.

00:44:03.950 --> 00:44:09.880
Then you want to run a full
accessibility check in Acrobat.

00:44:09.880 --> 00:44:12.760
So if you see some issues,

00:44:13.750 --> 00:44:15.890
then you want to check
certain things,

00:44:15.890 --> 00:44:17.400
like Edit the role map --

00:44:17.400 --> 00:44:20.710
so if you go in Acrobat,
you click on the tags here,

00:44:20.710 --> 00:44:24.380
then Edit Roll Mat --
you will see how these styles

00:44:24.380 --> 00:44:26.970
are being interpreted here
with these tags.

00:44:27.640 --> 00:44:31.960
So normal Paragraph style
is a P, P, after a list --

00:44:32.580 --> 00:44:36.810
different things like that.
Then you want to troubleshoot

00:44:36.810 --> 00:44:40.800
and go back and fix issues
in InDesign, if you need to.

00:44:40.800 --> 00:44:42.460
Again, you might need
to go back to those

00:44:42.460 --> 00:44:44.920
Layers and Articles panels,

00:44:44.920 --> 00:44:48.570
and check the order of those,
check the order

00:44:48.570 --> 00:44:52.130
of the individual elements
on those Layers.

00:44:53.150 --> 00:44:55.070
Then you would re-export
your PDF,

00:44:55.070 --> 00:44:56.840
and redo steps one and two.

00:44:57.890 --> 00:45:00.120
You also want to check
your Metadata,

00:45:00.120 --> 00:45:02.700
and sometimes you'll find
a semicolon

00:45:02.700 --> 00:45:06.630
that appears in the keywords
in the description,

00:45:06.630 --> 00:45:10.810
so you want to take that out.
Then in File &gt; Properties,

00:45:10.810 --> 00:45:16.060
you can set the Initial View
to the Bookmarks Panel and Page

00:45:16.060 --> 00:45:20.550
so that your bookmarks
will show on the left hand side

00:45:21.250 --> 00:45:23.460
when somebody opens that PDF.

00:45:24.530 --> 00:45:26.910
And you can also then go in
and change this

00:45:26.910 --> 00:45:29.870
to a two-up spread,
if you want to do that here.

00:45:29.870 --> 00:45:31.930
You just don't want to Export it
that way in InDesign,

00:45:31.930 --> 00:45:33.680
but you can change it
to that here.

00:45:35.010 --> 00:45:36.610
Then just save the PDF.

00:45:38.460 --> 00:45:43.120
Now there's a bug with using
custom Unicode characters

00:45:43.120 --> 00:45:44.420
for bulleted lists;

00:45:44.420 --> 00:45:46.620
I ran into this the other day,
that was fun.

00:45:48.390 --> 00:45:52.900
It will give you a double
span tag in Acrobat, in the PDF.

00:45:54.300 --> 00:45:59.080
And it will cause that bullet
character to be voiced twice.

00:45:59.920 --> 00:46:02.700
Then it was adding a space
between the bullet --

00:46:03.580 --> 00:46:05.250
or causing the space
between the bullet

00:46:05.250 --> 00:46:07.740
and the text to appear first,

00:46:07.740 --> 00:46:09.450
instead of the bullet
coming first.

00:46:09.450 --> 00:46:11.999
So it's space-bullet,
instead of bullet-space-text.

00:46:14.110 --> 00:46:16.580
That's, again, if you're using
a custom Unicode character

00:46:16.580 --> 00:46:18.950
instead of the default bullet.

00:46:20.870 --> 00:46:23.800
So the solution is to use
the boring default bullets.

00:46:24.890 --> 00:46:26.430
If you are going to use
a custom bullet,

00:46:26.430 --> 00:46:31.530
you can artifact that
space's span in Acrobat,

00:46:31.530 --> 00:46:32.840
but that might be a lot of work,

00:46:32.840 --> 00:46:35.690
depending on how many lists
you have with those.

00:46:36.560 --> 00:46:39.110
Or you could allow the double
voicing of the bullet.

00:46:39.110 --> 00:46:41.180
It's not a barrier
to accessibility,

00:46:41.180 --> 00:46:42.780
but it's a nuisance.

00:46:44.200 --> 00:46:47.160
You can actually go and vote
for Adobe to fix these,

00:46:47.160 --> 00:46:52.510
and some other bugs, at the
InDesign.uservoice.com website.

00:46:53.080 --> 00:46:56.090
Then you can visit
PubCom's webpage,

00:46:56.810 --> 00:46:59.000
which is a link in your PDF,

00:46:59.000 --> 00:47:00.590
to learn which items
to vote for.

00:47:00.590 --> 00:47:03.960
PubCom is who trained me
three years ago

00:47:03.960 --> 00:47:05.560
in accessibility with InDesign.

00:47:08.480 --> 00:47:12.300
Okay, so then my company
is Gratzer Graphics,

00:47:12.300 --> 00:47:15.460
and we do branding, publications
and accessibility work.

00:47:16.280 --> 00:47:18.870
And my other company
is Creative Boost --

00:47:18.870 --> 00:47:20.740
I have a lot of resources
for designers,

00:47:20.740 --> 00:47:23.380
and the Design Domination
podcast.

00:47:24.260 --> 00:47:26.550
And that's it --
Creative-Boost.com.

00:47:26.550 --> 00:47:28.320
And then PubCom, like I said,

00:47:28.320 --> 00:47:33.410
who trained me in accessibility
with InDesign, is PubCom.com.

00:47:33.410 --> 00:47:36.130
These are all linked
in your PDF as well.

00:47:38.160 --> 00:47:48.350
Okay. Questions? Yes?

00:47:48.900 --> 00:47:57.510
&gt;&gt; [INAUDIBLE]
&gt;&gt; Org charts? Uh-huh?

00:47:57.510 --> 00:47:58.930
&gt;&gt; Yeah, and I've confirmed
the PDF,

00:47:58.930 --> 00:48:01.980
as some people don't have Vizio,
and stuff like that.

00:48:04.640 --> 00:48:08.790
Sorry, I put org charts
on our webpage, you know,

00:48:08.790 --> 00:48:10.620
some people see the structure
of who's the boss,

00:48:10.620 --> 00:48:11.900
and things like that.

00:48:11.900 --> 00:48:13.110
&gt;&gt; Right.

00:48:13.110 --> 00:48:15.340
&gt;&gt; But I put them in there
as PDFs

00:48:16.650 --> 00:48:19.080
because a lot of people
don't have Vizio.

00:48:19.080 --> 00:48:20.320
&gt;&gt; Right.

00:48:20.320 --> 00:48:25.950
&gt;&gt; So is there a way to also
check that for accessibility?

00:48:26.850 --> 00:48:30.910
Do I just run some kind of
PDF scan for the chart as well?

00:48:32.380 --> 00:48:34.450
Or, I'm not sure
how I would do that.

00:48:34.450 --> 00:48:36.120
&gt;&gt; You're creating it
in InDesign?

00:48:38.140 --> 00:48:40.710
&gt;&gt; I have never heard
of InDesign before, so no.

00:48:40.710 --> 00:48:47.210
These are our -- we have
an inside Indian Affairs webpage

00:48:47.210 --> 00:48:50.380
that we use here at Interior.

00:48:50.380 --> 00:48:52.050
&gt;&gt; Yeah, so if you're not
starting with InDesign,

00:48:52.050 --> 00:48:53.720
I'm not quite sure
what to tell you, then.

00:48:53.720 --> 00:48:58.100
&gt;&gt; Oh, okay. I guess that's why
we have IT, I guess.

00:49:05.550 --> 00:49:07.560
&gt;&gt; I'm sorry,
let me try to tackle that.

00:49:08.480 --> 00:49:11.370
You said that you work for
Indian Affairs? Is that right?

00:49:12.000 --> 00:49:13.320
&gt;&gt; Yes.
&gt;&gt; Okay.

00:49:13.320 --> 00:49:17.970
So have you reached out to your
508 coordinator, Tony Morris?

00:49:17.970 --> 00:49:19.320
&gt;&gt; Yeah, I'll follow
up with him.

00:49:19.320 --> 00:49:21.270
&gt;&gt; Yeah, he may have some ideas.

00:49:21.270 --> 00:49:23.010
&gt;&gt; Okay.
&gt;&gt; If not, then send me an email

00:49:23.010 --> 00:49:25.130
and we'll try to research
that for you. Okay?

00:49:25.130 --> 00:49:26.929
&gt;&gt; Okay, thank you.
&gt;&gt; Yep, you're welcome.

00:49:30.990 --> 00:49:34.760
&gt;&gt; Yes?
&gt;&gt; If you have tables --

00:49:34.760 --> 00:49:36.360
&gt;&gt; Please wait for the mic,
please.

00:49:37.250 --> 00:49:39.299
&gt;&gt; If you have tables that need
to be blank,

00:49:39.920 --> 00:49:41.720
what would be the difference
in putting a dash --

00:49:41.720 --> 00:49:44.440
or you said you have
to put something in there.

00:49:44.440 --> 00:49:46.090
&gt;&gt; Oh, if you have table cells
that are blank?

00:49:46.090 --> 00:49:47.320
&gt;&gt; Yes.

00:49:47.320 --> 00:49:50.560
&gt;&gt; Yeah, I would just probably
put an en dash or a hyphen,

00:49:50.560 --> 00:49:51.760
or something like that.

00:49:51.760 --> 00:49:54.880
That's what I've used,
and that's worked.

00:49:55.930 --> 00:49:59.360
&gt;&gt; If you were to leave it
blank, how would it be read?

00:50:01.050 --> 00:50:03.110
Or would that cause
any problems?

00:50:03.110 --> 00:50:05.190
&gt;&gt; Yeah, I don't know
exactly how it gets read.

00:50:05.190 --> 00:50:10.470
I mean, I was taught
to put something in there,

00:50:11.020 --> 00:50:14.340
to note that it is
intentionally left empty.

00:50:14.340 --> 00:50:18.390
So I'm not quite sure
what happens otherwise.

00:50:18.390 --> 00:50:21.660
Then it might cause problems
with it being read,

00:50:21.660 --> 00:50:23.260
if it's just left empty.

00:50:33.570 --> 00:50:35.790
That can't be all the questions.
I saw some quizzical faces.

00:50:35.790 --> 00:50:49.900
&gt;&gt; We have a question
in the Chat.

00:50:49.900 --> 00:50:51.660
&gt;&gt; Oh, there's a Chat?

00:50:51.660 --> 00:50:55.500
&gt;&gt; Are links to possible
test documents that we can work

00:50:55.500 --> 00:50:58.760
with and follow the instructions
given in the presentation,

00:50:58.760 --> 00:51:00.860
are they provided with materials

00:51:00.860 --> 00:51:03.080
that are being sent out,
I think?

00:51:03.080 --> 00:51:07.700
&gt;&gt; No. What I created was just
a clickable PDF version of this,

00:51:07.700 --> 00:51:09.080
so you'd be able
to reference this.

00:51:09.080 --> 00:51:11.940
But there's not
additional documents with it.

00:51:11.940 --> 00:51:14.260
&gt;&gt; Oh, okay, yeah.

00:51:14.260 --> 00:51:18.210
Since it was a very thorough
tutorial, I thought something --

00:51:18.210 --> 00:51:20.360
it would be helpful
if we had something

00:51:20.920 --> 00:51:24.590
that we could work with as
just practice items in InDesign

00:51:24.590 --> 00:51:26.640
to follow along with that,
and get a muscle --

00:51:26.640 --> 00:51:28.020
build muscle into memory.

00:51:28.020 --> 00:51:30.550
&gt;&gt; So what I would suggest
for that is to go ahead --

00:51:31.100 --> 00:51:33.200
so with the default styles,
you could go ahead

00:51:33.200 --> 00:51:36.680
and create those on your own
with no documents open

00:51:36.680 --> 00:51:39.220
and get that out of the way.
Then for a practice document,

00:51:39.220 --> 00:51:42.940
you could just fill a Text Frame
with placeholder text.

00:51:42.940 --> 00:51:45.640
Then just go in and start using
some of those styles,

00:51:45.640 --> 00:51:48.000
like the H1, H2,
and format some stuff,

00:51:48.000 --> 00:51:51.530
and just add a Sidebar,
anchor an image,

00:51:52.040 --> 00:51:53.940
and then play around with that.

00:51:53.940 --> 00:51:55.150
&gt;&gt; All right, yeah,

00:51:55.150 --> 00:51:57.670
that should be helpful
with developing those skills.

00:51:57.670 --> 00:51:59.920
&gt;&gt; Email me if you have
some questions about it.

00:52:01.150 --> 00:52:04.050
&gt;&gt; We've had a bunch just pop in
from the field.

00:52:04.990 --> 00:52:07.110
What is meant by "threading?"

00:52:08.980 --> 00:52:11.370
&gt;&gt; Okay, so threading is
when you're linking

00:52:11.370 --> 00:52:13.400
your Text Frames together.

00:52:13.950 --> 00:52:27.860
So in this example, this first
page of the Table of Contents,

00:52:30.520 --> 00:52:33.990
it's threaded
to that second frame.

00:52:36.500 --> 00:52:41.470
&gt;&gt; Okay. The next one is,
other than best practices,

00:52:41.470 --> 00:52:44.970
what effect can overrides
have on a 508 document?

00:52:46.130 --> 00:52:51.870
&gt;&gt; It can cause errors, it can
cause issues with it being read.

00:52:54.000 --> 00:52:58.010
&gt;&gt; And the third one says,
it sounds to me

00:52:58.010 --> 00:53:00.430
like consistently
using styles

00:53:00.430 --> 00:53:03.260
and other methods
you're telling us to use

00:53:03.260 --> 00:53:08.550
not only ensures
the XML works right,

00:53:08.550 --> 00:53:17.080
but the InDesign document
works with Typefi too.

00:53:17.080 --> 00:53:19.400
T-Y-P-E-F-I.

00:53:23.320 --> 00:53:28.730
&gt;&gt; What was it again?
I have no idea what that is.

00:53:29.280 --> 00:53:33.190
I don't work in XML, and I don't
know what that other one is.

00:53:33.190 --> 00:53:37.150
But if you format something
for accessibility,

00:53:37.150 --> 00:53:38.860
it makes for
a very clean document

00:53:38.860 --> 00:53:42.740
that you can then take with
little effort to create an epub,

00:53:42.740 --> 00:53:44.030
and any other kind of documents,

00:53:44.030 --> 00:53:45.700
because everything
is formatted properly.

00:53:45.700 --> 00:53:49.730
Not just in terms of visuals,
it's properly formatted

00:53:49.730 --> 00:53:51.660
in terms of the hierarchy
of the document,

00:53:51.660 --> 00:53:56.200
and that makes it easier to be
read properly by any device.

00:53:59.070 --> 00:54:00.670
Any more questions?

00:54:03.010 --> 00:54:06.210
You can always send me an email
if you think of something later.

00:54:07.660 --> 00:54:10.150
&gt;&gt; Okay.
Thanks very much.

