OPPORTUNITIES FOR FEDERALLY-ASSOCIATED
COLLECTIONS
June 5-7, 1996
Berkeley, CA
Session 8: UNDERSTANDING PARTNERSHIPS: ART
Moderator, Connie Hart Yellowman, J.D., Cheyenne Cultural Center,
Clinton,Oklahoma
Alicia Weber, Chief, Fine Arts Program, General Services
Administration, Cultural and Environmental Affairs
Division
WPA artwork in Non-Federal Repositories from the Fine
Arts Collection of the General Services Administration
- Fine Arts of GSA
- 1933-43; to recognize plight of artists
to embellish federal buildings, post offices, and
other public buildings
- 1963 - GSA Art and Architecture Program over 180
GSA works in
federal buildings (importance of creativity to
people)
- http://www.gsa.gov/pbs/pt/pts/cultural.htm
- 1990- acquired funds for conservation of historic
buildings and art and contemporary
artworks.
- 1993-Cultural Environmental Affairs to highlight works
in Fine Arts division; exhibits are available
for loan to area offices, museums, etc.
(over 400 currently on loan)
- Specific legislation:
-Bulletin of March 26, 1934 for the WPA, "Legal Title
to Works Produced under the Public Works of Art
Project" states: "All works of art produced by the
project which are moveable and not executed to occupy some
particular location are the property of the Federal
Government..."*
-Procedure No. G-5, January 10, 1940, Section 32, "Art
Projects - Allocation and Loan of Works of Art," states:
"For the purposes of this section the word
"allocated" shall mean the transfer of title."*
-DPS Form 8, Request for Allocation states: "It
is understood that custody of the work listed will
not be transferred and that the work will be exhibited for
public use as indicated. Institutions desiring to be
released of any work shall communicate with the Director of the
[WPA] - Art Program, Federal Works Agency, Washington DC." Page
4, Paragraph 1 of this Form also states: "If an agency or
institution which has received a work of art on allocation or
loan desires to be released from the responsibility of custody of
the work, the representative of the agency or institution shall
communicate with the Director of the WPA Art Program,
Washington, DC."*
- *WPA Artwork in Non-Federal Repositories, May 1996,
U.S. General Services Administration
- How we used survey to enhance GSA collection
- 2 Case studies:
University of Kentucky Art Museum, Lexington, KY and
Newark Museum, Newark, New Jersey
- Issues raised from case studies:
- ownership;
- communication;
- responsibility.
- Facts from legal council on title of ownership:
- WPAs intent;
- GSA has restricted title of allocated loaned
artworks;
- it is the responsibility of GSA to inform institutions of
responsibility and rights (and distribute legal
documents).
Results of survey:
- MOA implemented for GSA artworks on loan;
- communication and partnerships started;
- exhibits of paintings, sculptures, and graphics acquired
beginning in 1850
Sample surveys
Survey identified over 10,000 objects of which 8,000
have been inventoried.
- Future directions & needs of GSA in non-federal institutions
- Sale of WPA art is increasing; some may be
legal but
unclear.
- Continued effort to inventory
- MOU or Cooperative Agreement between institutions on
ownership and title.
- GSA IG confirmed GSA has ongoing responsibility
- GSA does not intend to reclaim art from institutions
- BRAC has generated additional art available for allocation.
Gave presentation describing the computer software used in the
creation of a Fine Arts Database
Frank Fryman, Area Archaeologist, Sacramento Area Office,
Bureau of Indian Affairs
Bureau of Indian Affairs Museum Property (Artwork & Artifacts)
Housed in Bureau of Indian Affairs Offices/Art Representations
from American Indian Culture Areas
- History of BIA Museum Property Program
- Majority of artwork as tribal gifts to BIA and some through
acquisition.
- Most not accounted for as federal property as pointed out in
IG audit of 1990.
- MPP increased communication between archaeologists and
property managers.
- 1991 survey; curator hired (Marian Hansson); BIA property
officers met in Arlington; Quality Improvement Team (10 people)
finished 1995; action plan to complete inventory.
Marian Hansson, Curator, Bureau of Indian
Affairs
- BIA has 12 area offices holding over 21,000 museum items;
- major Indian tribes are separated into culture areas having
similar characteristics and ecological zones: Northwest
Coast, California, Southwest, Basin, Plateau, Plains,
Southeast, Prairie, Lakes, Northeast, and Subarctic
- Culture and human relationships most important to Native
Americans; artworks lends itself to cultural understanding of
human relationships.
- Giving of gifts to honor someone is part of Plains Indian
culture.
- 90% of BIA collection were gifts from tribal leaders,
artists, and peoples.
- History of BIA:
1817-McKinney given an Indian-made gift
1824-first BIA art program under McKinney
1833-McKinney published history
1841-collection-DC art gallery
1858-collection lost in fire except a few items -
Smithsonian
1933-John Collier renewed BIA collection
1936 World's Fair Collection, art given to BIA
1972-American Indian Movement occupation of DC office
resulted in loss
1990 IG Audit
1992 Marian Hansson hired
BIA 12 area offices, 109 agencies, 186 schools
(Slide show of BIA collections from Woodlands, Plains,
Southwest,
CA/Intermountain, and Northwest Coast Indians; Allen Houser
paintings)
BIA now in partnerships with GSA, Univ. of CA, Corps of
Engineers, and NPS
- Set up exhibits displaying BIA collections in Washington, DC
and 4 field offices
- Goal to create nationwide awareness of program and insure
accountability and management of collections in
Washington, DC and other area offices
- Trained 290 BIA field staff about basic museum property,
care, inventory, and survey methods
- Works closely with 12 area offices
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