Session 10: PERSPECTIVES ON PARTNERSHIPS II
Moderator: Nicola Ladkin, Registrar, Museum of Texas Tech
University
Southern Methodist University: An Example of a Cooperative
Agreement
Sue E. Linder-Linsley, Director, Collections Management,
Department of Anthropology,
Southern Methodist University
Institute for the Study of Earth and Man at SMU has a large
anthropology collection of
24,000 cubic feet. They met with the Army Corps of Engineers to
discuss a joint effort to create
a mutually beneficial and feasible plan to care for the
collection. In 1988, they established a
collections management policy. All of this was prior to 36 CFR79.
June 12, 1990 the Institute
and Army Corps of Engineers signed an agreement that the Corps
would assist in paying for past
curation of the collection. The initial investment would have
been $642,000, but they settled for
$365,000. The Ft. Worth office stepped in declaring the agreement
to be illegal and said that
there was no justification for the Corps to pay for past curation
services. The Institute is
continuing to work with St. Louis' Corps of Engineers for
guidance and to resolve the situation.
ISEM is skeptical regarding the value of spending time and
resources to enter into agreements
that are backed out of and stresses the need to insist on an
approval of all work orders and
budgets.
The Central Sierra Me-Wuk Committee: NAGPRA Compliance
Project
Reba Fuller, NAGPRA Project Director, Central Sierra Me-Wuk and
Historic
Preservation Committee
Cultural affiliation is a tough situation because of the complexity of California Native Americans. 80-120 thousand Indian people are not members of federally-recognized tribes. If a tribe is not federally recognized, partnerships based on NAGPRA are more difficult.
The Central Sierra Me-Wuk Cultural and Historic Preservation
Committee (a coalition of
five Sierran Me-Wuk Tribes) was one of the forty-one recipients
of the National Park Service
NAGPRA Grants to Indian Tribes and Museums. The money has been
used to create and adopt
policies for the compliance of NAGPRA, for the care and treatment
of collections, and for
classes specifically designed to educate California Natives with
NAGPRA compliance. 80% of
Me-wuk collections are in federal institutions, and 70% of their
collections have no
documentation to establish provenance. They continue to seek
funding to train Indians in
consultation and to enhance the status of collections
information. Consultation constitutes the
exchange of information about the impact of cultural tradition or
heritage. There is a need to
create open doors of communication, trust, and dignity and
respect for cultural heritage.
NAGPRA is moving at a slow pace. Federal agencies need to have a
positive attitude.
Agencies/museums have become aware of the spiritual need to have
our human remains and
cultural items returned to the appropriate people.
What is the National Archives and What Can It Do for
You?
Waverly Lowell, Director, National Archives - Pacific Sierra
Region, San Bruno,
CA
The National Archives is legally responsible for managing the
records of the federal
government.
1934 - National Archives was established
1949 - Became a part of the General Services Administration
1985 - Became an independent agency
The National Archives forms partnerships with federal agencies
When items are stored at the Federal Record Center, they belong to the agency that created it. After the disposition the records are open to the public. After the transfer, descriptions, preservation, conservation are performed.
The Regional Archives System works actively with scholars,
professionals from museums,
historical societies, colleges and universities, and cultural
resource managers from federal
agencies. Regional archives staff have engaged in cooperative
projects that include exhibits,
collection documentation, preservation consultation, research
projects, publications, joint
appraisal, and proper placement of historical records. Its
holdings are extremely diverse, and
represent many different kinds of federal records.
Challenges and Accomplishments Within the BIA
Environment
Cora L. Jones, Deputy Area Director, Bureau of Indian Affairs,
Aberdeen Area Office,
Aberdeen, SD
Museum property in BIA generated as a result of gifts from Indian people to the Agency . To raise consciousness with respect to these collections and to bring people with different specializations, BIA formed a Quality Improvement Team in 1993
The product produced was "Treasures in Our Midst" posters and brochures
The purpose was to account for and preserve BIA collections. This included inventories, cataloging, and conservation.
The QIT accomplished the following:
This team worked for BIA to foster productive
partnerships
Federal Curation in a University Setting: A Cost-Effective
Example from Mississippi
John W. O'Hear, Curator of North American Archeology, Cobb
Institute, Mississippi State
University
At the Cobb Institute, archeological collections had accumulated without funding to care for them, and without a management plan. As a result of concern for curation of collections from a large federal waterway project, an agreement between Mississippi State University and the Mobile District of the U.S. Army Corps of Engineers concentrated on bringing the curation facility up to standard. This joint funding constructed a new building of 4,400 square feet, the Cobb Institute of Archeology, for $65,000 dollars. Next, a management system of curation and inventory was created to deal with collections procedures, records, management, computerization and future financing. A curation fund was established in 1986.
The curation
system retains the provenance research value of the collections
and provides opportunities for
public outreach. The Cobb Institute currently curates over 5,000
cubic feet of archeological
collections and associated records, including 4,200 cubic feet of
federal collections. The point
was made that Co-operative arrangements between federal agencies
and universities are the best
curation alternative for many federal collections, while caution
was urged against entering into
curation as a "for-profit" business venture.